Here are some images from my studio at my current residency at SÍM, where I have been working on drawings which I plan to incorporate into a series of  installations with reflected light.* Briefly, the drawings engage both the idea of the souvenir (those objects we take away to commemorate an experience of significance: stones, sea glass, snippets from photographs etc.) along with the idea of the indicator (those markers we leave behind in order to communicate something, sometimes just a gesture of our passing presence: stone cairns, spray painted directives, gratified tags). I think of the vertically stacked wet-into-wet vaguely circular forms–into and against which the more detailed elements are drawn–as cairns themselves. I find many of the objects and images depicted while running and exploring Reykjavík, but many of them come from other places (Berlin) and instances as well.

I’m most interested in the ways in which these drawings on paper, their silver-leafed cut-outs, the reflective surfaces and the light can all interact and create a larger conversation between object and atmosphere, between the taken and the left. As humans generally conflate places, experiences, even dreams in our memories, with this installation I’m hoping to create a space in which such jumbled significance is a felt presence. I’m looking forward to installing what I have so far in the residents’ upcoming exhibition Fault Lines using the spotlights in the gallery at the SÍM House.

* I’m revisiting this fortuitous phenomenon from my solo exhibition Will Have Been in at the University of Nevada, Reno in November 2012.