Mark, my brother, and I visited my parents in their new home in Mason City, Iowa for Thanksgiving this year. As it turns out, with all of the activity that surrounded Island, I didn’t have much time to dedicate to a new drawing I’m making for an upcoming show surrounding Borges’ “The Library of Babel,” so I found myself packing up my studio and in-progress piece so as to work on it at their house over break.

me and my dad, working away

My folks are really hospitable, and allowed me to abscond with several lamps and bring a folding table upstairs to set up a makeshift studio in their living room so I would be in the middle of the familial action while getting work done. I’m happy to say, that I think I finished it tonight. Now to get it aboard two planes and framed by install on Monday.

My summer studio transformation was featured on Design*Sponge yesterday. Thanks to people for their kind comments. Some common questions kept arising, so I thought I would address them here and post a few more photos for clarification.

I’m paraphrasing some of the questions and include responses below:

1) I see a bunch of art supplies in the “before” (read: ridiculously messy) image; where did they all go?

Well, this image was taken awhile ago. It was the only image I had that showed this much of the space from the doorway. I guess I was never happy enough with my studio want to photograph it. I may have hoarding tendencies, but most people who know me know that I am actually a pretty neat and organized person. I probably took this photo because of the remarkably messy state of the studio. As I recall I was framing and shipping a batch of drawings all while completing the mammoth task of my third year document (pre-tenure) document for school (I teach at a local university).

Anyway, here are some images of organization and storage solutions, i.e. where I put a lot of that stuff (the stuff I didn’t haul away, discard, take to the basement, etc.):

The shelves we built now hold my small framed work and much of my paper work and application supplies are vertically filed on the gray-ish blue shelf under the Ikea magnetic boards. The shoe organizer holds all of my office supplies and other random stuff like my glue gun and glue sticks (all with blue tape labels). That’s Wobbly Bob, one of our cats.

I used the closet to house cans of paint, a wall-mounted drawer system for organizing small hardware, and many labeled plastic crates, totes and drawers for various odds and ends, all categorized. I took off the closet door to have easier access to all of this stuff and to reveal more wall space for hanging work.

Also, that’s Ramona, and that’s her chair. I can’t take it out of the studio for fear that she would perish of sadness, as it’s her favorite place to be ever. I should mention that I have no personal need for this chair anymore since it’s too tall for my work surfaces. So in my highly efficient new studio, I have a chair just for a cat. At least it keeps her from walking all over my drawings.

2) How in the heck did you do all of that with a 500.00 budget (also where did you get your flat files)?

I put together a budget afterward to see what I had tallied. Here’s how it breaks down:

-Wood/doors–used for the table tops
(Home Depot):                                                115.

-Table legs and brackets x6 (”):                          60.

-Paint: (Benjamin Moore):                                  50.

-Flat file (craigslist):                                         160.

-Small file cabinet (local Re-use center):             10.

-Sandpaper, paint rollers, casters, etc.              100.

About:                                                            500.

We designed our own shelves and supports, but you can find some pretty great pre-made shelves and brackets out there. I first sanded and primed, then sanded and painted the worktable and shelves with Benjamin Moore’s GRAHAM Ceramic Satin Interior water borne enamel in Decorators White. Little foam paint rollers gave the surfaces a pretty smooth finish.

I looked all summer for a flat file on craigslist. I found one that was the right size for my small studio (in the bedroom of our ranch house) for a decent price.  It’s precisely: 40-3/4″ W  x  28-3/8″ D  x  15-3/8″ H. It had to be cleaned up a bit, but serves my purposes perfectly.

3) (From Lauren) Can I have your sweet orange chair when you’re done with it?

Yes. And I probably won’t be. I’ll will it to you though. It’s from the University of Michigan’s very excellent property disposition center–from their dental school I think. It cost about 15 dollars as I recall and badly needs to be reupholstered.

4) It looks too clean now; where did your mess go?

Naturally I took the photos at the completion of the project when everything was shiny and pretty. Now that I have had some time to live in it, there are little scuffs on the tables and my stuff is getting spread out everywhere again. When I want to reign it in between projects though, it’s that much easier now. Here are some images of my slightly more lived-in space with drawings in progress:

After the craziness of the start of school, having friends in town for labor day weekend and some traveling this weekend to drop off work for a show, I finally get to spend  Tuesday all day long in this space. I can’t wait. I promise to make it even messier.

**update**

This studio transformation was recently featured on Design*Sponge. I wrote a follow-up post answering some of the questions that arose in the comments and also posted a few more images here.

With the help of Mark, I spent the entire last month in major house studio overhaul mode. I had five year’s worth of paperstuffs, random art supplies and countless odds and ends to sort and either discard or organize. It all started with my desire for a flat file, since all of my flatwork and papers were sloppily vertically stored against the wall behind a closet door.

The organization project evolved into ditching my drafting table and our old kitchen table I was using as a desk in favor of clean, white tables easily made out of doors and painted white. Mark built me wall shelves for storing small, framed work and we got them installed yesterday. Now the studio feels so much better, I want to be in here all the time. Just to show you how far it’s come, at one point, it had devolved into this:

Here are some overview shots of the new setup:

…and some detail shots:

Now to start making a mess again.

Net 1
ink, gouache, blue tape and collage on paper
18″ x 24″
2005 and 2011

Land Blindness (for R. Smithson)
ink, gouache, salt, gold leaf and correction tape on paper (not pictured: accompanying rock from the site of Spiral Jetty)
drawing 30″ x 22″, installation dimensions variable
2011

I was very affected by our sojourn to the Spiral Jetty on our recent southwest road trip. As much as I was taken with the life and death of Amelia Earhart, last year’s oil spill, the Icelandic volcanic eruption, and responded to these events in my recent  work, I am currently working on a drawing in that loosely engages Spiral Jetty and the life and untimely death of Robert Smithson. The book Mirror-Travels | Robert Smithson and History has been informative, imparting the significance of the building site of the monumental earth work: close to the site of the driving of the Golden Spike, where the continent was joined via railroad.  Also today’s Daily Serving article about the potential fate of the piece is quite timely, yet unsettling.

Here are some images of sketchbook collages I made on the trip from the vast amount of magazines we took with us for the long car rides.

So it is happily between the drawing and painting studio that I will spend the rest of the summer, amidst gardening, sun tea making, gathering with friends and planning a large international exhibition for the fall (this time with my curatorial hat on). As I see it, that’s a pretty good place to be.

Since school ended in April, I’ve been able to spend a lot of time in the studio. I have the help of a couple of students, one who made a big batch of stretchers for me, another who is doing all of the stretching and gessoing. It’s great to have so much help, which frees me up to work on some new paintings, all in progress. I’m working with images from Iceland and algae flows, and playing around with volcanic ash, mica and silver leaf.

Also I have the modest beginnings of a new web-based project: http://deltiophile.tumblr.com/
I’m using it as a place to post the postcards I collected while in Iceland, some collages, pages from my sketchbook and other visual sources for my work.

Last Map: Mirror, Last Map: Beacon, Last Map: Crosslit, each gouache and ink on paper, 11.5″ x 8.25″, 2010

I completed 3 more Last Map drawings in Iceland to total 30, which has been my goal for some time now.  These latest drawings reflect my icy surroundings at the time I made them.  Hopefully I can exhibit all 30 together in the near future.

Although I prefer to display them all simply taped to the wall, the wear and tear isn’t good for the drawings, so I need to get them framed.  I have some ideas for framing them that should provide for some interesting installation opportunities.

In other news:

-I am pleased to have been mentioned in the 12.17.10 Chicago Tribune article about the best Chicago area art of 2010.  Apparently there is an image of Bring in the Light in the print version, though I haven’t yet seen it myself.

-Also, Nicole Pietrantoni (who I met and collaborated with in Iceland) and I plan to be working together again soon under the name Island Projects.  We hope to have a website up and running in the near future.

-Some of Amelia Earhart’s bones may have been found on Nikumaroro Island in the Pacific Ocean.  Here’s the full article.

Ice Above, Fire Below | color transparencies, thread, cyanotypes and lithographs | dimensions variable  (this installation approximately 96″ wide) | 2010, in collaboration with Nicole Pietrantoni, SÍM House, Reykjavík, Iceland.

Friday night was the opening of the residents’ exhibition, dubbed  The Supreme Council of Higher Beings.  There was some great work in the show and Mark was involved in an exciting collaboration/interactive music and sound-based performance with our friends Jan and Beer.  It turned the opening into a party.  A lot of people showed up and the residents received great feedback about all of the work, including an interactive Venn diagram connecting artists and related people in Iceland by Rebecca Key.

One of the best outcomes of this November residency has been meeting and and beginning  a collaborative partnership with American artist Nicole Pietrantoni.  She is in Iceland for a year on a Fulbright fellowship and a Leifur Eiriksson Foundation grant. This installation was our first collaborative endeavor.

When I arrived in Iceland, it was my plan to make some gouache paintings of small, contained worlds, like the glassy images in these two pieces: Last Map: Osolith and Last Map: Divisadero on white or blue paper.  However, on my first day in my studio, I found a collage of images from the Icelandic landscape left by a previous resident.  As it depicts a self-contained world, I decided to copy it in gouache, as a sort of collaboration with this unknown artist.  These are just studio snapshots.  I will add more professionally documented images of the piece to my website when I get home.