that my friend Andrew  Thompson was available and able to document my drawings.  All of the so-so quality photos of my drawings from Budapest and Iceland posted on the blog are now presented much more professionally on my website.  Thanks AndyT!

Here are some images from our group show, SKIPTI / SWAP at the end of the residency at SÍM.  On Monday we installed the show, had the opening, followed by a picnic in the garden, and de-installed the show.  Then I had to pack and say my goodbyes.  What a day!

Also, in addition to the drawings I made at the residency, I worked on a couple of photo-based projects and along with many of the other artists, became quite the collector of maps, stamps, postcards (new and vintage) and objects from the land such as shells, stones, sea glass, lava rocks and the like.

On Sunday I did a photo shoot of one of the Amelia Earhart islands in the Icelandic landscape set against the sea.  Here are a few images from that shoot.  I wonder what they’ll become when they grow up?

I am, once again, so grateful for this phenomenal residency and the opportunity to see breathtaking sights in a remarkable country, make work unimpeded, and become friends with such a fantastic group of artists.

with the goal I set for myself: twelve blue drawings while in Iceland.  Now for some last minute projects… and packing all possible fun into my last weekend here.

Here are the drawings I have made so far, all of them gouache and ink on paper (some with cut-outs):

These are just Photoshop-tweaked snapshots.  I’ll post better images to my website eventually.  I am having a lot of fun with mapping and engaging negative space.  I’m excited to see where this all leads…

Considering all of the day trips, socializing and wonderful meals at this residency, it’s a wonder I’m getting any work done.  I am making progress slowly but surely and am making untold discoveries along the way.

The state of the studio:

The state of the art:

Not only are the landscape, city and people (the Icelanders and my fellow residents) amazing here, but my living situation is pretty top notch.  I have this wonderful little room.

We’re eating a lot of dinners as a group.  The ten of us residents share a kitchen and many nights someone or a pair of us will make a big dinner for everyone else.  The communal atmosphere is great.  Here Nina and Julie are fixing a fantastic meal for some of us.  To see recipes from our fellow residents, visit my and Mark’s vegan blog.

I share a studio with Nina and Klaus.  We get along very well and have been pretty productive.  We are all on similar schedules, so the sharing is working out well.  Mark took a photo of me in my studio set-up:

I am surprisingly getting some work done while Mark is here.

Iceland is creeping into my work. There is an eggshell from the uria lomvia bird (they’re harvested from the rocks and sold in markets for people to eat) and some herring from the fish festival this last weekend. And every so often I look up from my work and see view like this through the studio window:

I am so grateful for this completely fortifying experience.

People keep asking me about my trip, so I thought I would post some photos.  I mean, it’s hard to describe chicken pants…it’s something you just have to see for yourself.

a typical beutiful day in Budapest, gorgeous statuary and all...

strangely, wearing chicken pants and being hoisted in the air was very soothing to these little gals

a sweet courtyard in an atists' complex

the courtyard has some pretty wonderful murals on the walls

Mitsy the Hungarian forest cat, friend to human and chickens alike

Nannette in our "office"

Nem nem... what???

chickens are inside the castle walls! (when I give Nannette my jump drive to transfer video stuff, it comes back with some extra little gifts- like this photo)

the courtyard at David's studio

Happy Gum

my little studio corner with David's mini statue park

a close-up of the statue park

opening night

Here are the drawings that were in the show in the order in which they were exhibited, from left to right.  Again, these are snapshots I have only futzed with slightly in Photoshop.  I will post better quality images to my site as soon as I get them scanned and color corrected.

Last Map: Vacancy

Last Map: Dig

Last Map: The Science of Air and Space

Last Map: Islands

Last Map: Align

and also Last Map: Osolith.

I didn’t really want to write any details about my and Nannette’s exhibition until all was said and done in case we didn’t pull it off in the way that we wanted.  But now that a successful opening has come and gone, I am happy to tell our tale.   I went to Budapest with only the goal to finish a video project Nannette and I began last summer, do a couple of drawings, and see a few museums…maybe hit the spring baths.  In short, I was going to take a break over break–treat it like a mini residency.  Instead, pretty much as soon as I arrived, we started hatching major plans.  We planned to both make work for the entire week and put a show together in addition to the video (which quickly transpired into an installation).  We had hints of possible venue spaces at the beginning of the week, but it wasn’t until Monday (or Tuesday?) that we secured the venue (for a Thursday night opening…).  Nothing like cutting it close, right?

Nannette’s background is in photography and video, but she is a closet draw-er and makes these gorgeous ink drawings on crayon resist with faint, meticulous etching which she never shows to anyone.  I was flattered that she showed them to me and excited she was considering exhibiting them.  So she got down to work on a larger-scale series of those drawings and a photography project based on rivers.  Meanwhile we were going to the office every day and working on the video together, and I was furiously drawing in the mornings and evenings- (into the mornings again).  It turns out that the venue, Chinese Characters, has the perfect back space for video projection, and was the perfect width to create a reflecting pool for the video (which contributes enormously to the content of the piece).  We we aided immensely by David, who did a lot of the heavy-lifting during the installation, including making the structure for the pool.  Working collaboratively all week was wonderful, as even our 2D work influenced each other’s to a strong degree.  We brainstormed titles for awhile and came up with fekete leves (where the sky used to be). Fekete leves literally means “black soup” in Hungarian (Magyar).  When used as slang, it implies a sense of foreboding or bad things to come.  Where the sky used to be is the name of the video project, upon which the rest of the show hinged.

Here are some snapshots from the show.  Sorry about the quality of these images.  I only had my aged point-and-shoot, but Nannette got some great install shots with her camera, so as soon as I get those images, I’ll update this post.  Thanks to everyone who came out to the opening!  For those who didn’t make it, the orb-looking images on black are C-prints by Nannette, and she also has the black ink drawings (installation) on resist with scratching.  We each made one of the white “north” drawings and collaborated on the video and installation.  Mine are the small gouache and ink drawings on blue paper.

front right corner

entrance from Vittula into the gallery space with two of Nannette's C-prints flanking two of my drawings

a C-print and my other four drawings- along the left wall

her drawing installation

the near and far left walls of the space

view from the entrance (the video installation is through the black curtains)

North 1 and North 2 (Nannette-left, me-right)

Where the Sky Used to Be- video installation with reflecting pond

Thank you to Nannette and David for putting me up (and putting up with me) all week, to Tim of Chinese Characters/Klub Vittula for providing the space, libations and an open mind, and to Fabian for DJ-ing and acting as impromptu photographer.  Next I’ll post images of the six drawings I made while there and maybe a couple of shots from the opening.