Here are some images from my studio at my current residency at SÍM, where I have been working on drawings which I plan to incorporate into a series of  installations with reflected light.* Briefly, the drawings engage both the idea of the souvenir (those objects we take away to commemorate an experience of significance: stones, sea glass, snippets from photographs etc.) along with the idea of the indicator (those markers we leave behind in order to communicate something, sometimes just a gesture of our passing presence: stone cairns, spray painted directives, gratified tags). I think of the vertically stacked wet-into-wet vaguely circular forms–into and against which the more detailed elements are drawn–as cairns themselves. I find many of the objects and images depicted while running and exploring Reykjavík, but many of them come from other places (Berlin) and instances as well.

I’m most interested in the ways in which these drawings on paper, their silver-leafed cut-outs, the reflective surfaces and the light can all interact and create a larger conversation between object and atmosphere, between the taken and the left. As humans generally conflate places, experiences, even dreams in our memories, with this installation I’m hoping to create a space in which such jumbled significance is a felt presence. I’m looking forward to installing what I have so far in the residents’ upcoming exhibition Fault Lines using the spotlights in the gallery at the SÍM House.

* I’m revisiting this fortuitous phenomenon from my solo exhibition Will Have Been in at the University of Nevada, Reno in November 2012.

All photos by Esther Cuan and Emily Rogers.

Mark and I were just in Reno for two weeks making and installing all the work for my current solo exhibition Will Have Been at the University of Nevada, Reno via a Gallery-as-Studio Residency. Many students an gallery staff were involved in the installation process. We met so many great people while there. Here are some images of the show being installed. Many thanks to all who helped out!

My good friend Fiona Short traveled from New Zealand via Glasgow where she is currently based to spend two and a half weeks with us preparing for our upcoming two-person show To Arrive Where We Started at 2739Edwin in Hamtramck in Detroit. We’ve been enjoying working steadily in the studio together in anticipation of the show.

To Arrive Where We Started | Amy Sacksteder and Fiona Short

18 August – 15 September 2012

Exhibition Public Reception: Saturday August 18 from 7 to 10pm 

Regular Hours: 1pm – 5pm Saturday. Other hours by appointment

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Usually I try to keep my posts to art-related things in my life, but I have been working on this little project to surprise my husband, Mark for some time now and wanted to share it here. I think it’s justified since there are some studio images there. It’s a cool story. Enjoy!

photo credit: Lauren Rice

Last summer Detroit artist Lauren Rice visited my (old storefront) studio in Ypsi. She wrote a great article about my work  and her experience (which just came out the other day) for The Studio Visit. Thanks Lauren!

For the past few months we’ve been moving out of our old house and into our new house. This included consolidating both studio spaces into this one new space. These are two images of the studio in its current, lovely state.

Here are some before and progress images. As you can see, the studio was the dumping ground for some time while we put the rest of the house in order.

Thanks to Joe and Mark for all of your hard work! They tore out and replaced bad drywall, Joe painted the whole thing and Mark installed a sink. We also had the skylight put in which makes a huge difference in the amount of light the room gets. It’s a really fantastic place to be making; I already see changes in my work from my new surroundings.

Mark, my brother, and I visited my parents in their new home in Mason City, Iowa for Thanksgiving this year. As it turns out, with all of the activity that surrounded Island, I didn’t have much time to dedicate to a new drawing I’m making for an upcoming show surrounding Borges’ “The Library of Babel,” so I found myself packing up my studio and in-progress piece so as to work on it at their house over break.

me and my dad, working away

My folks are really hospitable, and allowed me to abscond with several lamps and bring a folding table upstairs to set up a makeshift studio in their living room so I would be in the middle of the familial action while getting work done. I’m happy to say, that I think I finished it tonight. Now to get it aboard two planes and framed by install on Monday.

My summer studio transformation was featured on Design*Sponge yesterday. Thanks to people for their kind comments. Some common questions kept arising, so I thought I would address them here and post a few more photos for clarification.

I’m paraphrasing some of the questions and include responses below:

1) I see a bunch of art supplies in the “before” (read: ridiculously messy) image; where did they all go?

Well, this image was taken awhile ago. It was the only image I had that showed this much of the space from the doorway. I guess I was never happy enough with my studio want to photograph it. I may have hoarding tendencies, but most people who know me know that I am actually a pretty neat and organized person. I probably took this photo because of the remarkably messy state of the studio. As I recall I was framing and shipping a batch of drawings all while completing the mammoth task of my third year document (pre-tenure) document for school (I teach at a local university).

Anyway, here are some images of organization and storage solutions, i.e. where I put a lot of that stuff (the stuff I didn’t haul away, discard, take to the basement, etc.):

The shelves we built now hold my small framed work and much of my paper work and application supplies are vertically filed on the gray-ish blue shelf under the Ikea magnetic boards. The shoe organizer holds all of my office supplies and other random stuff like my glue gun and glue sticks (all with blue tape labels). That’s Wobbly Bob, one of our cats.

I used the closet to house cans of paint, a wall-mounted drawer system for organizing small hardware, and many labeled plastic crates, totes and drawers for various odds and ends, all categorized. I took off the closet door to have easier access to all of this stuff and to reveal more wall space for hanging work.

Also, that’s Ramona, and that’s her chair. I can’t take it out of the studio for fear that she would perish of sadness, as it’s her favorite place to be ever. I should mention that I have no personal need for this chair anymore since it’s too tall for my work surfaces. So in my highly efficient new studio, I have a chair just for a cat. At least it keeps her from walking all over my drawings.

2) How in the heck did you do all of that with a 500.00 budget (also where did you get your flat files)?

I put together a budget afterward to see what I had tallied. Here’s how it breaks down:

-Wood/doors–used for the table tops
(Home Depot):                                                115.

-Table legs and brackets x6 (”):                          60.

-Paint: (Benjamin Moore):                                  50.

-Flat file (craigslist):                                         160.

-Small file cabinet (local Re-use center):             10.

-Sandpaper, paint rollers, casters, etc.              100.

About:                                                            500.

We designed our own shelves and supports, but you can find some pretty great pre-made shelves and brackets out there. I first sanded and primed, then sanded and painted the worktable and shelves with Benjamin Moore’s GRAHAM Ceramic Satin Interior water borne enamel in Decorators White. Little foam paint rollers gave the surfaces a pretty smooth finish.

I looked all summer for a flat file on craigslist. I found one that was the right size for my small studio (in the bedroom of our ranch house) for a decent price.  It’s precisely: 40-3/4″ W  x  28-3/8″ D  x  15-3/8″ H. It had to be cleaned up a bit, but serves my purposes perfectly.

3) (From Lauren) Can I have your sweet orange chair when you’re done with it?

Yes. And I probably won’t be. I’ll will it to you though. It’s from the University of Michigan’s very excellent property disposition center–from their dental school I think. It cost about 15 dollars as I recall and badly needs to be reupholstered.

4) It looks too clean now; where did your mess go?

Naturally I took the photos at the completion of the project when everything was shiny and pretty. Now that I have had some time to live in it, there are little scuffs on the tables and my stuff is getting spread out everywhere again. When I want to reign it in between projects though, it’s that much easier now. Here are some images of my slightly more lived-in space with drawings in progress:

After the craziness of the start of school, having friends in town for labor day weekend and some traveling this weekend to drop off work for a show, I finally get to spend  Tuesday all day long in this space. I can’t wait. I promise to make it even messier.

**update**

This studio transformation was recently featured on Design*Sponge. I wrote a follow-up post answering some of the questions that arose in the comments and also posted a few more images here.

With the help of Mark, I spent the entire last month in major house studio overhaul mode. I had five year’s worth of paperstuffs, random art supplies and countless odds and ends to sort and either discard or organize. It all started with my desire for a flat file, since all of my flatwork and papers were sloppily vertically stored against the wall behind a closet door.

The organization project evolved into ditching my drafting table and our old kitchen table I was using as a desk in favor of clean, white tables easily made out of doors and painted white. Mark built me wall shelves for storing small, framed work and we got them installed yesterday. Now the studio feels so much better, I want to be in here all the time. Just to show you how far it’s come, at one point, it had devolved into this:

Here are some overview shots of the new setup:

…and some detail shots:

Now to start making a mess again.