So, after a long wait, with much suspense, I present to you the islands.  They are supposed to be mini art museums, thus the walkways and little doors.  My friend and fellow artist Krista Peel has challenged me and a two handfuls of other artists to come up with mini art museums for her latest calendar project.  She will harness her mad skills to photograph these little buildings with railroad people milling about them and assign them to a particular month in a glossy, glorious calendar.  My particular take on the challenge was obviously influenced by my recent work drawing and painting the islands. 

So though I always have fun making work for KP’s calendar projects (wow!  since 2004 now), they always reaffirm for me how much I love painting and drawing as opposed to working with 3D-oriented media, as in this case with pink insulation foam and plaster.  I had much more fun painting the surface of the islands than I did doing all of that sanding.  Still, it’s nice to be able to expand into whatever realm is presented and I am pretty happy with the final result which isn’t too far off than what I has envisioned in my drawing.  Plus, as I mentioned before, this was my first foray into model railroad land.  It’s quite a place!

There are a lot of artists out there doing this model railroad thing, and other work with miniatures.  I must say, in the following cases (and with Krista Peel’s work, which is, of course, a given), I am quite taken with it:

Thomas Doyle makes strange little events happen in snow globes.

Courier, mixed media, 12.5 x 14, inches diameter, 2007

Acceptable losses, mixed media, 16 x 13.5 inches, diameter 2008

Though these following images by Walter Martin and Paloma Muñoz are c-prints, they are clearly taken using diorama-like sets.  Is it any coincidence that the title of this series is “Islands”?

A Winter Walk, 2006 C-Print 39 x 65 inches

Low Tide, 2008 C-Print 50 x 40 inches

Thanks to my friend Abigail for alerting me to these artists in her blog.  Let me know if you come across others…

I haven’t been able to write in awhile because of all of the end-of-summer activity going on right now.  I wanted to post about my weekend trip to Quincy, Illinois.  Why yes, that is the famous site of the Lincoln/Douglas Debate.  Glad you mentioned it.  I went because I wanted to see two dear friends from grad school who are seldom in the same place when I have time to travel to them. This time the stars aligned to make it so, such that Thursday I found myself aboard my first ever U.S. passenger train headed toward Quincy via Chicago.  It was a wonderful weekend of art, friends, good food, catching up, and a  lot of laughter.  I stayed at the impeccable 1914 bungalow of friends Jen and Todd and got to hang out with their kiddos Trevor and Joel.

Of course I was inspired by the people I was with, but since I am always mesmerized by other peoples’ spaces (thus my infatuation with sites like The Selby, Apartment Therapy and magazines like Dwell), I thought I would post about it.  Jen and Todd (and even her parents) worked hard to make their basement into a space where Jen would want to have a studio and where the boys can play year-round.  They sealed the walls, cleaned up a lot and spray painted the heck out of the ceiling.  The result is a clean, crisp space with painted walls, floors, beams and trim that coordinates with the rest of the house.

Jen's studio with completed and in-progress paintings

Jen's latest painting

To see more images of her work, visit her website.

The boys' "studio"- I love the colorful art lining the walls!

The occasion for my visit was our friend Kelly‘s exhibition at the college where Jen teaches and runs the gallery.  I got there too late to attend the opening, but did get there in time to: attend (even help out with)  Kelly’s mural painting workshop, go to the farmer’s market, do some thrifting ($25 pair of Lane end tables- score!), enjoy several delicious meals, play soccer with a pair of squirts, partake in raspberry AND lemon sorbet at a sci-fi/horror themed ice cream parlor (Eye-Scream anyone?).

farmer's market flowers

Indian corn

Saturday night we were awestruck by a breathtaking sunset.

sunset in the Q

Here’s my attempt at one of the photos that inspires Jen’s paintings:

Even with 18 hours on a train, it was a very complete and restoring weekend.

photo credit: Susan Tusa, Detroit Free Press

I am waiting for plaster to dry on some islands, so it’s as good a time to blog as any.  Lauren of Dear Golden tagged me with a “ten things” request.  Now my job is to post ten things about myself you don’t already know.  I think I will try to keep these art-related as that’s the nature of the blog.

1. I have attended four artists residencies: in Illinois, Newfoundland, Southern France and Budapest, Hungary

2. It must say something about me that I have twice been offered dead birds and have twice accepted.  In my freezer are a dead hummingbird and a dead cardinal.  They were that way when my friends found them, I assure you.  What will I do with them?  I’ll let you know when I find out.

3. I have been in academia since kindergarten with only summers off.  I went straight from high school to college, from college to grad school, from grad school to teaching adjunct and from teaching adjunct to assistant professor.  (Does kindergarten count as “academia”?)

4. I have taught three summers at Interlochen Arts Camp in northern Michigan near Traverse City (03-05)–painting and life drawing.

5. I have taught three classes that I never actually took when I was in school.  What are they?  Hmm… it’s a mystery.

6. My top three four favorite art shows I have ever seen are (in no particular order): William Kentridge retrospective at the Museum of Contemporary Art in Chicago (2004), Mapping the Studio: Artists from the François Pinault Collection in Venice (2009), Drawing Now: Eight Propositions at Museum of Modern Art (Queens) in New York (2002), damn, I remembered another one (thus the strikethrough): Peter Doig at the Tate Britain (2008).

7. I am working on a video, and a sculpture (of sorts) right now and am pretty inexperienced in the particular media I am using.  I am googling a lot and relying on my friends for help.  Thanks guys and gals!

8. Despite the above statement, I generally don’t work collaboratively.  I tend to prefer working alone in the studio, usually listening to audio books, NPR or music.  I am currently listening to The Plot Against America by Philip Roth and The Terror by Dan Simmons.

9. I am starting four large scale paintings, and am a bit scared of them at this early point.

10. I have a REALLY hard time balancing  a regular work-out routine and an art practice.  I tend to be sporadic with both and can rarely sustain the two simultaneously, though they’re both so important to me.

So that’s it- my ten things.  Okay, I am going to pass the tagging love around to:

Mark from Irreverent Vegan

Val and/or Ryan from i’m just doing this thing

I have purposefully been laying low on the exhibition front lately, as the beginning of the year was beastly with one solo show coming down, two and a half more going up, plus juried and group exhibitions (and school and life), I was wiped!  I am making new work, which I plan to exhibit in solo or small group shows down the road, but it will be a while before that occurs.  For now, I was pleased to receive this image in my inbox today:

of my work (island paintings) in the recent International Artist-in-Residence Exhibition at the Museum of Trade and Tourism in Budapest.  Thank you to Beata for putting the show together and providing the opportunity!

When I start a new body of work or major studio session, I like to clean house a bit.  This time I went a little nuts and put all of the old paintings away, took down old influence images and created a blank slate of a studio in which to work on the large island paintings.  At first it’s not very glamorous, just a bunch of canvas stretching and gessoing.  I will assuredly keep you apprised of my progress.

I actually did two things:

1) I finally put the images of the work I made in Budapest onto my website.   That’s  an important step in the artmaking process for me.  Seeing the work together, online, is a way for me to digest it differently than seeing it on the wall.  It also officially puts it “out there” (wherever that is) for others to see and comment on.

2) Also, and bigger and potentially better (yet all part of the same package), the universe collided in such a way so that today I found myself writing an email to Richard Gillespie, TIGHAR‘s (The International Group for Historic Airline Recovery) executive director in charge of leading yet another expedition to what is now called Nikumaroro Island (formerly Gardner).  I am writing to see if I can go along on the month-long expedition starting in May 2010 to search for DNA on the island that could lead to knowledge of Amelia Earhart’s whereabouts at the time of her death and a big “mystery solved” stamp on one of the most compelling enigmas in recent history.

Now if I get a response at all from this supremely busy man, that will be great.  If I get an affirmative response from him, that will be epic.  Then I can start the extensive grant writing process that will consume me for the next few months.  Thanks to NPR’s The World for featuring an interview with Ric Gillespie about the trip and my friend Brian Spolans for alerting me to this article from ABC News.  These two bits of media helped kick me in the butt to write the email.

In other news, when I finally bring all of this work together in an exhibition, I hope to make it somehow museum-like in appearance and presentation, as though I am presenting artifacts rather than artwork, or a hybridization of the two.  On this topic I just received this book in the mail today:

which I am very excited to read.  The Museum of Jurassic Technology in LA presents fictions as though they are fact.  I am very compelled by this aesthetic of painstakingly contrived deceptions.  It is a historically rich, yet very current mode of presenting information.  I have witnessed this phenomenon in the writing of Ben Marcus, and the artwork of Hyungkoo Lee who’s work we saw at the Korean Pavilion during the 2007 Venice Biennale.  He creates realistic skeletal remains of cartoon characters.

Now, I am going to use all of this excited energy to head off to the studio!

My friend and art colleague Ryan, recently texted me the somewhat cryptic message:  “Check out the paintings of Jordan Kantor.”  Where had he come across these paintings?  Why was I supposed to see them?  An email cleared it up: Ryan has seen them at the exhibition Untitled (History Painting): Painting and Public Life in the 21st Century at the newly opened University of Michigan Museum of Art (UMMA) in Ann Arbor.  I still need to get over there to see them.  In the meantime, we can take a look at why Ryan thought I should check them out:

Jordan Kantor Untitled (Challenger), 2007 Oil on canvas 70 x 60 inches

Jordan Kantor Untitled (Basel lens flare 6761), 2009 Oil on canvas 21 x 28 inches

Jordan Kantor Untitled (Basel lens flare 5727), 2009 Oil on canvas 21 x 28 inches

Jordan Kantor Installation view, 2009 Art Statements Art | 40 | Basel

Ryan and I discussed his text message to me.  He thinks something in my new work resonates with Kantor’s work.  What do you think?

Today Beata stopped in to do studio visits.  I am pleased that she likes the two island oil paintings- they will be exhibited here in Budapest a few times in group exhibitions arranged and curated by Beata of residents of the HMC (Hungarian Multicultural Center- International Artist Residency).  We talked for awhile, and hung out on the terrace.

Michael Hilsman

We visited Michael’s studio as well.  He has some amazing new work.

Beata smooching one of Michael's paintings

We grabbed some food and Michael and I had Turkish tea:

On the way home, we walked by an antique book store.  I love the design and imagery on the covers:

Nannette forbade me from posting her image, but since Mark wants to know who my new friends here  are, here’s her picture (with a giant breast):

Uh oh.  She’s going to kill me tomorrow…

In the photo, we’re at a place called Gödör, which, in Hungarian, means “hole.”  At some point, the city intended to build an amphitheater here, but never finished it, so a private party created a club out of the hole that the city started to dig out and thus resulted the Gödör.  Here are some photos of this popular hang-out spot:

When Mark was still with me for the first couple of days of my time here, we saw our friend Chris play with his friend’s band inside.

Getting back to tonight, at this point in the evening, we had been to a couple of openings, and decided to indulge in some decadent drinks, so we ended up at (rats I don’t remember the name of it!) some lovely bar.  Here we met friends, and got drinks that looked like this:

a rose-tini

an extra dirty martini (I've never seen this much care put into drinks before!)

You can see our bartender just behind my martini glass.  Just in case you think I’m spending all of my time here partying, here is an image of some work I did today.  I finished (I think) two smallish- to mid-sized island paintings:

I keep forgetting my camera when I go out.  Last night was no exception.  We went to an opening, then to a bar called Instant followed by a theater performance–an English/Hunagrian retelling of Hamlet (in 45 minutes).  I borrowed this photo of Instant from flickr:

the sweet fish sculpture in one of Instant's myriad rooms- the ceiling opens and closes, naturally

Nannette took me to the “tooth museum” a little room dedicated to teeth, but alas someone had broken in and most of the teeth were missing.  I don’t remember my dreams from last night, but I am sure they were about losing my teeth…  Mark has been requesting photos of the people I have met here so that he knows who the heck I am talking about when I describe my adventures.  One day soon, I will remember to bring my camera along.

In other news, I have set up a space in the apartment to do some oil painting.  Again with the islands.  I have big plans for these… I’ll see how that goes, as sometimes Art has it’s own plans.

stu-stu-studio

…it looks like a am painting in quarantine because of all of the plastic.  I also wear a hasmet suit.